The sheer sonic range of the Analog Drive, courtesy of the eight
different analog distortion circuits, is in itself a marvel. One
stompbox harboring so many tone shaping opportunities: unheard of until
now. Analog Drive is a bottomless well of new sounds.
Enhance your amp with the 3 band analog EQ. The mid band is
sweepable, which is very handy for dialing in the perfect EQ setting.
The mid EQ can also be controlled with an expression pedal, making it
easy to create analog wah-like sounds.
The possibility to store user presets will make the live gig flow
smoothly. And if you rely on MIDI during your performances, the Analog
Drive delivers. All settings are fully controllable via MIDI and it can
even send MIDI program change messages.
Clean Boost – A boost ranging from 0 to 20 dB, run at a high internal voltage, thus giving plenty of headroom.
Mid Drive – Can be compared to the sound a well-known green stompbox. If more bass is needed, just increase the Low EQ setting.
Dirty Drive – Really dirty and swampy. A gate-ish
feel can be obtained at low Gain settings. Higher Gain settings result
in an old school fuzzy sound.
Big Dist – Adds quite a lot of distortion, but with
an intact bass response. A reference would be a Marshall stack pushed to
the max with a lot of power amp distortion.
Focused Dist – Strong focus on the upper mids. An extended version of the mythological horse/man pedal, but with more flexibility.
Harmonic Fuzz – Octave fuzz with a smooth feel. Based on a fuzz that is out of production. (Which one is a well-kept secret.)
High Gain – Clear sound with a lot of gain. Nice string separation, great sustain.
Thick Gain – Adds loads of gain, more than a lot of
preamps. Really crispy when palm muting the lower strings and using the
EQ to add some top end.