If you're a musician on the move - or with limited "studio" space - you'll want maximum audio workstation performance and functionality with minimum size, weight, and setup hassles. The Yamaha AW1600 provides extraordinary music production power in a remarkably compact, all-in-one unit that can take you all the way from inspiration to finished CD. The AW1600 is the grown-up descendant of the groundbreaking Yamaha AW16G, with added enhancements that make the recording process even more intuitive.


Affordable digital recorder with enhanced features
The Yamaha AW1600 adds many features to the award winning AW16G while maintaining the same affordability. These new features include 8 combo inputs (all with phantom power), USB 2.0 drag-and-drop capabilities for moving files onto your computer, 24-bit recording and a new Pitch Fix algorithm for correcting the pitch of vocal tracks.

Eight inputs and up to 16 tracks, plus virtual tracks
The AW1600 mixer supports up to 8 simultaneous inputs. Eight balanced mic/line XLR type connectors as well as eight balanced or unbalanced TRS phone jacks are provided in "combo connectors" on the rear panel for direct input. You can even record 8 tracks simultaneously for convenient one-take ensemble recording. For 16-bit recording and playback the AW1600 recorder section offers a total of 16 tracks, or 8 tracks for 24-bit recording and playback. You also have 8 virtual tracks per physical track - thats 18 (16 + stereo) x 8 in 16-bit mode (or 10 x 8 in 24-bit mode) - that provide plenty of capacity for alternate takes or arrangements. Any of the mixers inputs can be easily patched to any of the recorders tracks for maximum recording flexibility.

Built-in Yamaha effects for mixing
You'll find Yamaha digital signal processing gear in most of the best studios around the world... and you'll also find it in the AW1600. There's no need for external effects processors when you have a stunning range of top-class effects built right in! In fact the AW1600 has two independent effect processors with corresponding sends and returns so you'll have enough processing power on hand for just about any situation. In addition to a large selection of reverb, delay, modulation, and pitch type effects, the AW1600 includes an outstanding range of effects designed specifically for instruments and vocals. There are amp-simulator guitar effects complete with speaker simulation that let you get great guitar sound without having to actually mic a guitar amplifier. Acoustic guitar hasn't been forgotten, either. You also have effects designed specifically to give you superior bass and vocal sound by simply recalling and tweaking the appropriate preset.

4-band EQ and dynamics on every track
Even with the advanced functionality of todays integrated audio workstations, compression and gating facilities on every channel is still somewhat of a luxury. Even channel EQ tends to be rather limited in some cases. The AW1600 makes no compromises when it comes to equalization or dynamics processing: in addition to extremely versatile 4-band equalization, you have independent compression and gating capability on every single input channel and recorder track for total dynamics control over your AW1600 mixes.

Easy to use, with clear interface and large controls
A thoughtful interface built around a 240 x 64 dot backlit LCD display panel makes recording and mixing with the AW1600 a smooth, efficient operation. Quick navigation keys take you to the functions and displays you need immediately, and a comprehensive complement of control keys and encoders gives you the immediacy of hands-on control where you need it most. The same Selected Channel concept that is at heart of Yamaha's industry-leading digital live mixers and production consoles makes the AW1600 easy to learn and intuitive to use. The interface also includes large transport keys for sure transport operation, and a data entry section that includes a jog/data dial for fast, efficient data entry.

Pitch Fix for pitch-perfect vocal tracks
If a song has vocals, the vocals are the song. You'll undoubtedly want the vocal track to sound as good as it can possibly be. The AW1600 Pitch Fix function means that the occasional off note wont mean you'll have to discard an otherwise excellent track. Pitch Fix can effectively "repair" notes that are a bit sharp or flat without adding any telltale digital artifacts.

Quick loop sampler
The AW1600 has a built-in pad-type sampler that delivers the same high audio quality as the recorder section. You can assign sixteen stereo waveforms to the four pads using the sample banks, or load audio tracks from the hard disk or WAV files from a CD-ROM. The timing at which each pad is played can be recorded on a dedicated "pad SAMPLE - LIBRARY track," and later edited for fine control. The AW1600 comes with a library of over 250 SAMPLE - SET UP megabytes of prerecorded drum phrases and sound effects that can be assigned to pads - a fast, easy way to create rhythm and backing tracks for practice or as a basis for original arrangements. The Quick Loop Sampler also features an improved grid-record interface for fast, easy step recording.

Works as a musical memo pad to capture your ideas
Whenever musical inspiration strikes you can quickly record musical "memos" or samples for later use using the AW1600 Sound Clip function. Sound clips are an ideal way to quickly capture ideas for a song or arrangement, or to create simple accompaniment parts for practice.

Very computer-friendly with USB 2.0
Standard WAV files can be rapidly and reliably transferred back and forth between the AW1600 and a USB-equipped personal computer using the AW1600's fast USB 2.0 interface. You can back up audio data from the AW1600 directly to computer and import audio files into the AW1600 from the computer. In addition to the advanced file management capabilities that this provides you could, for example, move files to the computer for processing in a computer-based audio application and then move them back to the AW1600 for final mastering.

The AW1600 integrates easily with MIDI gear, too. It allows full parameter control via MIDI commands, so you can record scene changes as well as control changes from the AW1600 to a MIDI sequencer, for example, and then reproduce the recorded operations precisely when the sequence is played back. If you'll be using the AW1600 with MIDI gear such as a Yamaha MOTIF ES series synthesizer, the AW1600 includes a number of control "templates" that instantly set it up for convenient remote controls from the synthesizer's keys and encoders.

Switchable phantom power is provided for the XLR inputs so you can use studio-grade phantom-powered condenser microphones in order to capture superior sound right from the source. A hi-Z mono phone plug input lets guitarists plug directly into the AW1600 in order to record directly via the superb amp simulator effects provided. Direct digital stereo input and output capability is provided via coaxial S/PDIF input and output connectors. Independent monitor and phones output are also provided in addition to the main stereo outs.

Scene memory and multiple mixes for each song
With the AW1600 you can easily set up multiple mixes for each song and recall them as required. Up to 99 "scenes" containing all mix, effect, and other parameters for all channels can be stored for each song. Stored scenes can be recalled at any time via the panel controls or MIDI program change commands.

Features:

• Records top-quality uncompressed 16-bit or 24-bit audio at 44.1kHz
  
• 16 tracks at 16-bit resolution; 8 tracks when recording 24 bit audio
  
• 8 virtual tracks per physical track (18 x 8 in 16-bit mode) provide plenty of capacity for alternate takes
  
• Substantial 40GB high-speed hard disk provides plenty of internal storage and fast, reliable recording and playback performance.
  
• Built-in CD-RW drive lets you burn original audio CDs that can be played on any standard CD player, as well as make reliable CD data backups
  
• High-performance 24-bit A/D and D/A converters guarantee outstanding audio quality
  
• 4-band EQ and versatile dynamics processing on all mixer inputs and recorder tracks
  
• Eight combo XLR/TRS microphone/line inputs, with switchable phantom power for all connectors
  
• Hi-Z mono phone jack on input 8 for direct guitar input
  
• Quick loop sampler with preset rhythm phrases
  
• Sound Clip function makes it simple to record short audio samples or memos
  
• Two high-performance assignable effect processors provide a range of ambience, modulation, mastering, and even guitar effects
  
• Pitch Fix function allows precise vocal pitch correction
  
• USB 2.0 interface provides fast data transfer between the AW1600 and a computer for effective data management
  
• Data compatibility with the Yamaha AW4416, AW2816, and AW16G audio workstations

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Customer feedback

Product rating Product rating Voting Select your rating... Excellent! Very good Good Fair Poor Rate It! Reviews Author: Sebastian I have had this recorder for the last 2 years and it has a ton of great points: the individual channels have compression and eq and these do not effect the recorded sound, perfect for tracking live and then mix afterwards. The two aux sends give you great monitoring flexibility, and you can scroll over to a virtual meter bridge that can be switched instantly from input to output metering. Next come the routing options, dynamic effects AND eq on the input channels, track channels AND master buss are amazing which makes this easily the machine of choice for tracking at small live shows. The expanders and noise gates are also really excellent when used at the input stage. Add in the fully adjustable high and low pass filters and you can pretty much adjust for anything, assuming you don't need more than eight inputs. Ok so what bugs me? Well at this price maybe I am being very picky but the mic pre-amps really suck - especially when you consider all the other great features. Feel free to experiment but they are noisy as all get out and IMHO you just have to have a good outboard preamp. This is a great 8 track machine, and ok for 12 tracks, useless once again for 16 - that's pretty aggravating for a machine that is advertised at 24 track. If you are going to record 24 bit, then you are left with only eight tracks. And frankly, the 16 bit recording on this machine is quite a bit lower quality than the 24. Lastly I think the onboard effects are about as bad as the pre-amps, there are plenty of better choices out there for effects. I am no genius but I am pretty good at electronics and I also thought the editing capabilities were confusing and not at all user friendly. So it sounds like I hate it right? No I LOVE IT but it is what it is and for the money it is the BEST thing out there, you just need to know that you need some other outboard gear to make that hit! Add your review here Your name: * Your message: * Maximum review length is 2000 characters Type the characters you see in the picture. (If you do not see any picture here, please enable images in your web browser options and refresh this page): Get a different code Add review Ratings and/or reviews are submitted by customers to our site based on their own personal experiences. The Midi Store LLC regularly checks these reviews for inappropriate language and may chose to delete or edit your review as required. However The Midi Store LLC does not screen reviews for accuracy and we do not endorse their content. Any abuse of the review system may result in The Midi Store LLC not allowing you to post. We believe this service is important to help you hear from others who have experience using the products that are of interest to you. When you submit a review you acknowledge that you, not The Midi Store LLC are responsible for it's content.